My review of The Good Road:
Somewhere in the middle of The Good Road, a truck driver’s assistant grumbles that if you pile 10 tons on a truck that’s meant to carry a six-ton load, then it’s bound to topple. This is effectively what is happening to The Good Road. Seen only as a debut film, rather than one bearing the weight of representing the nation and the stigma of having left people like Anurag Kashyap and Karan Johar heartbroken, The Good Road is inoffensive and has its moments.
You can read the whole review here.
And last week, I saw Fruitvale Station, which is seriously depressing but also very, very moving. Highly recommended:
Oscar Grant was unarmed and physically restrained, which means he was lying on the platform, on his stomach, with his wrists tied behind his back. It’s a position of helpless surrender, and yet he was shot. On the night Grant was killed, Coogler was working as security for a party. But he saw what happened to Grant with all the immediacy of a witness because people at Fruitvale Station had videoed the entire incident and uploaded it on the internet. For Coogler, like many others, it was a devastating experience, not just because of the irresponsible violence but also because seeing it happen underscored how random the incident was. It could have been Coogler on the platform instead of Grant. It could have been any young black male lying there, being shot for no reason other than dumb misfortune.
You can read the whole piece here.