It’s update time again so voila the film reviews, in the order they were watched:
If anything, the idea of a film about child abduction set in a depressing, non-descript American town probably sounds a little off-putting to most. Add to that a father who, with righteous zeal and desperation, takes someone prisoner and tortures him because he’s convinced the police’s politically-correct, non-violent interrogations aren’t enough to make criminals spill their guts, and it’s not a film that screams ‘general entertainment’. But barring a few shots, Prisoners is precisely that. The ideological debates and philosophical frills are secondary. It is, first and foremost, a brilliant whodunit.
It’s a superb film, particularly if you like the good ole fashioned murder mystery in which detective work is about brain work and intuition, rather than gadgetry.
Besharam isn’t really a film. It’s Ranbir Kapoor lip syncing and dancing to an inordinate number of terrible, forgettable songs. Kapoor is one of the more versatile actors of his generation, but Besharam is proof that he can’t do crass, no matter how little he shaves his jaw and chest. He thrusts his pelvis, pulls socks out of his crotch, overacts and in the process churns out an appallingly dull performance.
Ghastly. Just thinking about it is making my brain — or what’s left of it — whimper.
The film is filled with unforgettable images, like the sight of a tiny astronaut’s figure against an immense earth that is partially lit by the Northern Lights or the reflection of the earth on the shiny transparent globe of an astronaut’s globe. Every aspect of Gravity is so carefully considered and paced that you’ll find your pulse is beating to the rhythm of the astronauts’ breathing – racing when they panic, slowing down when they do, but not really settling until the film comes to an end.
I watched it twice. I haven’t watched a film twice in the theatre in, like, forever.
About Time isn’t the best example of Curtis’s writing or direction, but it’s good enough to make you fall in love with Tim and his family. Tim uses his time travelling skills wisely. Which means he makes sure that his dad’s best friend, a playwright, has a good opening for his new play (rewind x 1); that he doesn’t say the wrong things to Mary, the woman of his dreams (rewind x 2); and that when he and the love of his life finally get together, their first night is fantastic (rewind x 3).
Not Richard Curtis at his finest, but this man’s version of ‘ok’ is sweeter and more charming than most rom-com writers’ best efforts.