MS Sathyu’s classic film Garam Hava was re-released and it’s a film that doesn’t seem dated or irrelevant decades after its original release in 1974. A look at how differently India’s political establishment has changed its attitude towards the indie film:
Whether it’s the shame and heartbreak of being jilted, the frustration at being qualified but unemployed or struggling with stereotypes, much of Garam Hava is still real and relatable. The difference is in the world surrounding the film — can you imagine Prime Minister Narendra Modi using his considerable powers to ensure a tiny little indie film gets released?
My review of Kill/Dil, which is far from remarkable.
NFDC’s Film Bazaar has a section titled Knowledge Series and here’s a glimpse of what happened there:
- Talking about scripts and creativity
- Sneak peek at Detective Byomkesh Bakshy by Dibakar Banerjee
- Anurag Kashyap’s pep talk for young filmmakers
Tony Leung came to Goa! I didn’t meet him. But one woman did, and she ruined the rest of us brown women’s chances with him.
TIME magazine had its annual word banishment poll and this year, one of the candidates was “feminism”. Sigh.
If there’s one thing that has become increasingly evident, then it is how difficult equality is as a concept. Possibly as a result of generations of patriarchy, we can only envision one group overpowering the other, which is why there’s that curious vision of feminists toppling men from their position of power and reducing them to leashed pets. Since that’s what men did to women in so many parts of the world, it makes sense to many that women will return the favour when the power balance shifts to them. That isn’t what the feminists are saying, by the way. It’s the vision put forward by those who oppose feminists.
This is why you need feminism and feminists to appear like that ticker that TIME so dislikes – because otherwise misconceptions persist and people remain illiterate.